I think the role of Station Eleven, the document, the book, in Kirsten’s life and how it became this almost like magical object of so much power and darkness type of power in a way that she could have it sometimes, but needed to not have it all the time and then it was in her life again and darkness started coming around again. “I think there’s something really beautiful about that as well. What exactly was the original version of Kirsten and Jeevan’s reunion? Davis explained, “The other version, it happened more within a performance, like she saw him in the audience.” Davis also added: So I have the memories of being in the house in a way.” It did that thing I was saying about working on a TV show where it gives you the memories of a person, where you don’t have to imagine it. And that was so emotional to film and gave me so much information about that time that otherwise would have been this sort of imaginary stuff in script pages and maybe I would have seen dailies, but I lived and watched this thing, and watched Matilda interact with Nabhaan and Himesh as their characters. “You know what was really amazing and helpful is the very first episode that we shot was Episode 7, so my first episode was Episode 7 where I’m just standing in an apartment as a ghost watching my experience unfold from the perspective of an adult, and watching my child self originate both the trauma and the narrative about why that trauma happened and how to keep herself and people around her safe. How could this extremely emotional highlight of the entire series not have been one of the most high-pressure scenes for Davis to tackle? It has a lot to do with the filming schedule.
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